Rigging is one of those behind-the-scenes disciplines that can make or break an animation or game asset. It is technical, time-consuming, and usually sits right at the intersection of art and engineering. Over the years, the Philippines has become a practical outsourcing destination for rigging work, especially for studios that need reliable execution rather than experimental R&D. Teams here often support animation, VFX, and game pipelines by handling character and creature rigs, skinning, and setup work that needs to be clean, consistent, and production-ready.

For many studios, outsourcing rigging to the Philippines is less about cutting corners and more about keeping projects moving. Local teams are used to working with established pipelines, following precise specifications, and collaborating remotely with animators and technical directors abroad. The result is usually straightforward, dependable rigging support that fits neatly into larger production workflows without drawing unnecessary attention to itself.

1. NeoWork

At NeoWork, we work as a global staffing and operations partner, helping teams scale through dedicated talent across creative, technical, and operational roles. Our work usually sits inside existing workflows, where consistency, reliability, and long-term collaboration matter more than one-off delivery. In creative services, this often means supporting production teams with animation, design, and technical execution that blends into their pipeline rather than standing apart from it.

This long-term focus delivers exceptional stability, backed by our industry-leading 91% annualized teammate retention rate-far surpassing the Philippine BPO sector's typical 60-70% retention (or 30-40% attrition)-and our rigorous 3.2% candidate selectivity rate, ensuring only elite talent integrates into your team.

In the context of rigging outsourcing in the Philippines, our role is practical. Rigging support fits naturally within broader animation and technical art workflows, especially when teams need steady hands to handle setup, preparation, and iteration work. By providing trained creative teammates who stay with the same clients over time, we help studios offload rigging-related tasks without disrupting how their animation or VFX teams already work.

Key Highlights:

• Dedicated creative and technical teammates
• Long-term team continuity rather than project-only work
• Experience working inside client pipelines
• Flexible team sizing as needs change
• Support across creative and technical disciplines

Services:

• Creative services support
• Animation and production assistance
• Technical art and setup support
• Team-based outsourcing models
• Workflow and operations support

Contact information:

• Website: www.neowork.com
• Linkedin: www.linkedin.com/company/neoworkteam
• Instagram: www.instagram.com/neoworkteam
• Facebook: www.facebook.com/neoworkteam

2. RipeConcepts

RipeConcepts focuses on creative technology services, combining design, development, and digital production under one roof. Their teams handle a wide range of visual and interactive work, often supporting long-running projects that require coordination between creative and technical roles. Much of their work is structured around dedicated teams rather than short-term outsourcing.

When it comes to rigging outsourcing in the Philippines, RipeConcepts fits into pipelines where rigging is part of a larger production process. Their experience supporting animation, design, and digital media projects makes them a practical option for studios that need rigging work aligned with broader creative delivery. The emphasis stays on execution and consistency rather than experimental tooling or custom engine work.

Key Highlights:

• Dedicated team model
• Long-term production support
• Experience across creative and technical projects
• Stable team structures
• Philippines-based delivery with global clients

Services:

• Creative production support
• Animation-related services
• Technical design assistance
• Digital media production
• Dedicated creative teams

Contact information:

• Website: ripeconcepts.com
• Phone: +63 915 015 8664
• Facebook: www.facebook.com/ripeconcepts
• Linkedin: www.linkedin.com/company/ripeconcepts-inc-
• Instagram: www.instagram.com/ripeconcepts

3. Toon City Animation

Toon City Animation operates as a full-service animation studio, producing hand-crafted animated content for international clients. Their work is rooted in traditional animation pipelines, supported by structured production teams in the Philippines. The studio handles multiple stages of animation production, from early setup through final delivery.

Rigging plays a functional role within their animation workflow, supporting character movement and consistency across episodes or projects. In the context of rigging outsourcing, Toon City represents studios that integrate rigging as part of an in-house style production model rather than separating it as a standalone service. This makes their approach relevant for teams looking to outsource animation work where rigging, animation, and production are closely connected.

Key Highlights:

• Studio-based animation production
• Structured animation pipelines
• Philippines-based animation teams
• Experience with long-form and episodic work
• Integrated production approach

Services:

• Animation production
• Character setup and preparation
• Rigging support within animation workflows
• Production pipeline management
• Creative execution for animated content

Contact information:

• Website: www.tooncityanimation.com
• Email: hello@tooncityanimation.com
• Address: Bldg. A Guerrero Properties, 123 Pioneer Street, Mandaluyong City 1550 Philippines
• Twitter: x.com/ToonCityPH
• Facebook: www.facebook.com/ToonCityAnimation
• Instagram: www.instagram.com/tooncityanimation

4. Snipple Animation

They operate as a full-service animation studio with production teams based in the Philippines, supporting long-running animation work for international clients. Their setup covers the full animation pipeline, with artists, animators, and production staff working together in a studio environment. Most of their output focuses on 2D animation, where consistency, timing, and character movement are handled across large teams rather than isolated contributors.

Within the context of rigging outsourcing in the Philippines, their relevance comes from how rigging supports animation at scale. Character rigs, cutout setups, and preparation work are part of keeping animation production efficient and repeatable. Their teams handle rigging as a practical production step that enables animators to work faster and maintain consistent motion across episodes or projects.

Key Highlights:

• Studio-based animation production
• Large, structured creative teams
• Experience with long-form animation workflows
• Integrated production pipeline
• Philippines-based delivery

Services:

• 2D animation production
• Character setup and rigging support
• Cutout animation preparation
• Animation pipeline coordination
• Production support services

Contact information:

• Website: www.snippleanimation.com
• Email: kaine@snippleanimation.com
• Address: 6TH FLOOR, MANFIELD HOUSE 1 SOUTHAMPTON STREET
• Facebook: www.facebook.com/SnippAnim
• Linkedin: www.linkedin.com/company/snipple-animation-studios
• Instagram: www.instagram.com/snippleanim

5. Outsourced

They operate as a remote staffing and offshore team provider based in the Philippines, supporting companies that need long-term, role-based talent rather than short project delivery. Their model centers on building dedicated teams that work inside a client’s daily operations, following the same schedules and processes as in-house staff. Most of their work sits on the operational and technical side, helping companies scale without changing how work gets done.

In the context of rigging outsourcing in the Philippines, their role is indirect but practical. Studios and production teams often need support roles around rigging work, such as technical coordination, asset tracking, documentation, or pipeline assistance. Teams sourced through a model like this can take on the structured, repeatable tasks that surround rigging production, allowing artists and technical directors to stay focused on hands-on setup and animation work.

Key Highlights:

• Dedicated remote team structure
• Integration into client workflows
• Philippines-based staffing model
• Long-term team continuity
• Support across technical and operational roles

Services:

• Remote staffing support
• Technical and IT assistance
• Production coordination roles
• Administrative and back-office support
• Ongoing team management

Contact information:

• Website: outsourced.co
• Address: Level 45, Gateway Building, 1 Macquarie Place, Sydney, NSW 2000 Australia
• Email: contact@outsourced.co
• Facebook: www.facebook.com/outsourcedcareers
• Linkedin: www.linkedin.com/company/outsourcedglobal

6. MetaVurx Studios

They work as a production company in the Philippines focused on game development, animation, and motion capture for entertainment projects. Their teams handle multiple parts of the game and animation pipeline, including asset creation, animation, and technical production work. The setup is built around close coordination between creative and technical roles to support complex, real-time and cinematic content.

Rigging fits naturally into their workflow as part of character setup for animation and motion capture. In the context of rigging outsourcing in the Philippines, they represent studios that handle rigging as a production function tied directly to animation and performance capture. This approach suits projects where rigs need to work cleanly with motion data, gameplay systems, and engine requirements rather than existing as isolated assets.

Key Highlights:

• Philippines-based production studio
• Experience with game and animation pipelines
• Close link between animation and technical setup
• Support for performance-driven content
• Team-based production structure

Services:

• Animation production
• Character setup and rigging support
• Motion capture integration
• Game art production
• Technical production assistance

Contact information:

• Website: metavurxstudios.com
• Phone: +63 976 525 7567
• Email: info@metavurxstudios.com
• Address: Ground Floor, Unit 8A, Garden Plaza Mall, 3 Subdivision Garden Villas Subdivision, City of Santa Rosa, 4026 Laguna
• Facebook: www.facebook.com/metavurxstudios
• Twitter: x.com/metavurxstudios
• Linkedin: www.linkedin.com/company/metavurxstudios
• Instagram: www.instagram.com/metavurxstudios

7. Top Peg Animation

They operate as an animation and creative studio based in the Philippines, with a long-standing focus on 2D animation, game assets, and motion graphics. Their teams work across traditional and digital workflows, combining cutout animation, asset preparation, and animation production within a studio environment. The structure supports steady output across multiple projects rather than one-off creative work.

Rigging plays a functional role in their cutout and character-based animation work. In the context of rigging outsourcing in the Philippines, they reflect studios where rigging is closely tied to animation quality control and consistency. Their work shows how rigs are prepared, checked, and adjusted to support smooth animation and reuse across scenes, episodes, or game assets.

Key Highlights:

• Philippines-based animation studio
• Focus on 2D and cutout animation
• Integrated creative and technical roles
• Studio-driven production workflows
• Long-term project support

Services:

• 2D animation production
• Cutout character rigging
• Asset preparation and checking
• Animation support for games and media
• Production coordination and delivery

Contact information:

• Website: toppeg-animation.com
• Phone: +632 84032419
• Email: toppeganimation@gmail.com
• Address: 3F ENP building, 1 Jasmin Street, Doña Manuela Subdivision, Pamplona III, Las Piñas City, Metro Manila 1740 Philippines
• Linkedin: www.linkedin.com/company/top-peg-animation
• Facebook: www.facebook.com/TOPPEGproduction

8. Lakshya Digital

They work as an art outsourcing studio supporting game development through visual production services. Their teams handle a wide range of game art tasks, including character work, environments, animation, and related technical setup. The work is usually done as part of large production pipelines, where assets need to match strict style and technical requirements.

Although they are not based in the Philippines, their inclusion here reflects how global studios interact with outsourcing ecosystems in the region. Rigging tasks often sit between art and animation, and studios like theirs regularly collaborate with external teams for asset preparation and technical setup. This makes their production model relevant when discussing how rigging work is distributed across international outsourcing partners, including teams in the Philippines.

Key Highlights:

• Game art production for large projects
• Pipeline-driven workflows
• Close coordination between art and animation
• Experience with technical asset preparation
• Long-term outsourcing collaborations

Services:

• Game art production
• Character and environment assets
• Animation support
• Technical art assistance
• Production pipeline support

Contact information:

• Website: lakshyadigital.com
• Phone: +91 (124) 410 2086                                    
• Email: info@lakshyadigital.com
• Address: D-32, Infocity-II, Sector – 33, Gurgaon – 122001, Haryana, India                                    
• Linkedin: www.linkedin.com/company/lakshya-digital
• Instagram: www.instagram.com/lakshya.digital
• Facebook: www.facebook.com/lakshyadigital

9. Top Draw Animation

Operates an animation studio based in the Philippines, focused on 2D animation production. Their teams work in a studio environment where artists, animators, and technical staff collaborate closely across projects. The emphasis is on structured workflows that support consistent output over long production cycles.

Rigging plays a practical role within their animation process, especially for cutout and character-based animation. In the context of rigging outsourcing in the Philippines, they represent studios where rigging is handled as part of the broader animation pipeline rather than as a standalone service. This approach suits productions that need animation-ready rigs that fit smoothly into ongoing episode or series work.

Key Highlights:

• Philippines-based animation studio
• Structured 2D animation workflows
• Team-based production setup
• Integration of technical and creative roles
• Long-term animation projects

Services:

• 2D animation production
• Character rigging and setup
• Cutout animation preparation
• Animation pipeline support
• Production coordination

Contact information:

• Website: www.topdrawanimation.com
• Phone: (632) 8687-7220
• Email: info@topdrawanimation.com
• Instagram: www.instagram.com/topdrawanimation_official
• Facebook: www.facebook.com/topdrawanimationofficial

Conclusion

Rigging outsourcing in the Philippines covers more ground than people often expect. It is not just about character rigs for animation or games, but also about the support systems, technical planning, and production workflows that keep projects moving without friction. Some companies approach rigging as part of a larger animation pipeline, others treat it as a technical or operational function, and a few support it indirectly by handling the coordination and structure around the work.

What ties these companies together is a practical mindset. The focus is usually on reliability, clear processes, and teams that can slot into an existing setup without drama. For studios and production teams, that can matter more than flashy tools or big promises. When rigging is done well, it stays invisible and that is often the goal. The Philippines continues to be a place where this kind of steady, behind-the-scenes work gets done, making it a sensible option for teams that value consistency over noise.